![]() It still has a quad-core Intel processor (now 2.4GHz) for wrangling images and video. What remains the same is that the Gnarbox 2.0 is still essentially a screenless PC. Today, Gnarbox 2.0 is ready for prime time, and it's a very different proposition. Via the companion app, you could connect to the device wirelessly and edit 4K video and high-resolution photos. ![]() On the other, it was a mini PC without a display. ![]() On the one hand, it was a rugged portable drive. We’ve Begun A New Project So We Immediately Invested In A SanDisk G-Technology 2TB ArmorATD USB 3.The original Gnarbox was intriguing.Trying Out NeoFinder Digital Asset Manager aka DAM In Research For ‘The Robert Krasker Project’.The La Niña “Rainbomb” Storms That Were Supposed To Swamp Sydney Turned Out To Be Light Showers, So Far.How Should We Format An External USB Hard Drive Containing Media For Research & Final Cut Pro? ExFAT, HFS+ or APFS?.We’re Having More Fun Processing Bayer Raw Files in DxO PhotoLab 6 Elite & DeepPRIME XD & Wish DxO Would Support Fujifilm X-Trans Raw Files Too.Please also consider donating to our favourite charitable cause, Lefty’s Place, via PayPal.Me/leftysplace. If you wish to make a donation to support our work here at Unititled.Net then please do it via PayPal.Me/KarinGottschalk. To provide up-to-date content for you we need to keep our production hardware and software up to date. Frame.io – How to Choose the Right Codec for Every ProjectĪuthor Karin Posted on FebruCategories Cam Tech, Creativity, Software, Workflow Tags 4:2:0 8-bit, 4:2:2 10-bit, archival codecs, archive codecs, archiving codecs, Cineform, codecs, color correction codecs, colour correction codecs, compression, compression decompression, decompression, DNxHD, DPX, editing codecs, export codecs, filmmaking, films, intermediate codecs, moviemaking, movies, post-production, production, ProRes, shooting codecs, VFX codecs, video, video files Search for: Search Please Donate. ![]() Frame.io – Compare 50 Intermediate Codecs on One Page.Hats off to Frame.io and Mr Kong for this crucial information. Kong’s article, not by any means a short one, is broken up into 6 sections: Divergent Media – EditReady: Easy, Fast and Powerful Transcoding for Video ProfessionalsĪuthor Karin Posted on SeptemCategories Cam Tech, Innovation, Software, Workflow Tags Apple, Apple ProRes, AVCHD, Avid, DNxHD, DNxHR, EditReady, GH5, H.264, H.265, HDV, log, LUTs, M2T, M43, Mac, Macintosh, macOS, metadata, MFT, MOV), MP4, MTS, MXF, Panasonic, Panasonic DC-GH5, Panasonic Lumix DC-GH5, ProRes, QuickTime, rewrap, rewrapping, Super 16, transcode, transcoding Frame.io Shows How To Choose the Right Codec for Every Movie Projectĭavid Kong of Frame.io, makers of the video production cloud-based collaboration application Frame.io, has produced the best guide to video codecs that I have ever read in How to Choose the Right Codec for Every Project, containing facts and advice I wish had been available when I got back into this video thing.Īs has been said, there are codecs and codecs, and not all of them are interchangeable, do exactly the same things or should be used for the same jobs.Although other software products offer transcoding as part of their feature sets, the benefit of a small, nimble specialist like Divergent Media is its theoretical ability to respond quickly to new camera releases, and new codecs and specifications.ĮditReady 2.0 seems to have beaten other transcoding tools to the punch on GH5 support so that alone is, IMHO, good enough justification for forking out for this full version updater.
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